The Cadi Corner: Swinging Sisters Start Summer Season
Welcome back! It’s FINALLY summertime and that means another great season of music, love, and laughter at Totem Pole Playhouse. It’s our 60th anniversary season, did you hear? If you didn’t, well welcome! How is that rock you’ve been living under? To celebrate we’ve invited back some of our dearest friends.
Our season opener was directed by his excellency, Mr. Carl Schurr and we were fortunate enough to have the magical Jan Puffer who did the original choreography. Jan will be a familiar name to all you loyal Totem Polers out there; she has been in over 25 shows here! She’s even on our wall of fame in the greenroom. We were also lucky enough to cast two local gals who are a couple of the most talented and fun loving ladies ever to grace our stage.
Molly Lahr and Katrina Yauckey are accomplished singers and actors who got their start right here at Totem Pole. As young theatre goers, they used to watch Ms. Puffer onstage so I thought it would be fun to ask them how they felt about working with Jan and what it meant to be a part of this historic season.
What high school did you attend?
Molly: Chambersburg Area Senior High School, there were about 555 people in my graduating class.
Katrina: I’m from Mont Alto and graduated from Waynesboro Area Senior High School. There were about 220 seniors in my class and about 1000 total in the school.
How old were you when you saw your first Totem Pole Play?
Molly: 15.
Katrina: I couldn’t begin to tell you, I had to have been 3 or 4 years old. My mom was doing shows here when she was pregnant with me.
Wow, that must have been a great seat!
Is there a particular show that you saw here that had an impact on you?
Molly: Oklahoma! Jack Rowles was in it, he is WAY older than I am.
(Sorry, Jack)
I was an usher here for like two or three summers.
Katrina: Ernest in Love when I was 6. I watched my mom do a dance number with Doug Robinson. The love of my life, John Putch, was in it and his mom gave me a doll that I named after him.
What was the first show you were in at Totem Pole?
Molly: A Christmas Carol in 1989 with Ms. Katrina Yaukey!
Katrina: 1987 A Christmas Carol. I was supposed to be in an earlier show and I learned all my lines to audition for Bill Putch but when he found out how young I was he sent my mom a copy of Pennsylvania’s Child Labor Laws with a letter that said he was so sorry. He had been so taken with me, he had no idea how young I was. My mom still has the letter and the copy of the law.
What are your memories of seeing Jan Puffer on the Totem Boards?
Molly: I remember seeing her in A Christmas Carol and I thought she was the prettiest most beautiful and loveliest person inside and out. She was like an angel.
Katrina: Are you kidding me? She was so beautiful and lovely and so nice to all of us. I wanted to dress like her, talk like her and write like her. In 1988 I was a rollerskating clown in Carnival and every night I would sit next to her in the dressing room and she would do my makeup.
What was it like working with Jan after having seen her in shows?
Molly: I was eager to please her. I wanted to do a very good job. She was very patient I would say, infinitely patient. Her choreography is really fun and she was just graceful and nice. Can you tell that I really love her?
Katrina: Really just fulfilling on so many levels. It just feels like I’ve come full circle to not just be working alongside her, but to have her directing me, offering me guidance. I just wish everyone in the business was that nice.
How has working at Totem Pole prepared you for other professional work?
Molly: It has taught me a really good work ethic: prepare before you get here and have a super high level of professionalism, excluding Kate Murphy.
(Sorry, Kate)
Working here has also taught me to have so much fun. You can joke around but you can get serious and get your work done.
Katrina: You know, it’s funny because I feel like its really set the standard for talent-
Molly: That’s what I wanted to say!
Katrina: We have a pretty amazing little professional theatre in the woods. Every other place I work has to meet these standards. They always bring in such talented, talented people. People that I admired even before I went to school or worked professionally.
How does working at Totem Pole compare to working at other Professional Theaters?
Molly: I think I have the most fun here. I laugh a lot and probably when I shouldn’t be laughing I think I strike a good balance between immaturity and professionalism; I pull it out when I need to.
Katrina: How does it compare? Well, I definitely have a lot of fun here, more than a lot of places. It just seems there is a common interest of all aspects between stage management, stage crew, and designers. There is a camaraderie here. There is such a feeling that it’s a team and that’s rare and it exceeds other places.
Where did you get your Equity card?
Molly: I got it here in Papa Is All. I was cast as the daughter, I can’t remember her name but it was a really good part.
Were you any good?
I think I was pretty good but I think I’m better when I get to be funny and I didn’t get to be funny in that show, not one single time! I mean, I was hit with a whip! A whip! A Cool Whip! That’s not funny at all. I would never say I hated it, though.
Katrina: It was the 1st National Tour of Victor Victoria. It was 1998 and I was two weeks from getting my card in Florida. But I did 38 of my EMC weeks at Allenberry Playhouse during the “Equity Years”.
What is your biggest mishap onstage?
Molly: Oh my god, in Papa Is All, i thought I was going to throw up because I had a McDonalds cheeseburger.
(Sorry, McDonalds)
I had this scene with my mother and I had an out of body experience like : OK I’m going to throw up. I was picturing the trashcan offstage. But, I didn’t.
Katrina: I have many of them but one of them happens to be here. I was playing Martha Cratchit and I tripped bringing in the Christmas goose. It fell on the floor and broke in half. It was a matinee show and there were a lot of kids in the audience and a lot of laughter.
One of the best mishaps happened on Broadway. I was a swing for the girlfriends in Company. One of the girlfriends got sick two weeks into the run. She had laryngitis and pink eye. I went into that role for three weeks but she came back and was determined to perform. I was outside in a baseball cap and jeans when I heard someone call me over the loud speaker. They wanted me onstage in two minutes to replace this girl who was standing over by the SM coughing and spitting into a bucket. I changed into my costume, walked onstage, passed her leaving stage, and replaced her mid song. The audience literally gasped.
Where are you off to once Sisters of Swing closes?
Molly: I go back to Oregon to resume my position as stay at home mom: the greatest role of a lifetime!
Katrina: I go on the National Tour of Billy Elliot!
I hope ya’ll all come down to the playhouse and see Sisters of Swing. It’s fun for the whole family! And who knows, maybe for our 80th anniversary, your kids will be dancing and singing right alongside Molly and Katrina!
See you at the Playhouse!